Yet, the film also shows a few of humanity’s bright spots. Even the (anti)hero, Ben (Duane Jones), commits heinous acts that he most likely would not have otherwise. When survivors are trapped inside a farmhouse, the social equilibrium is reset–and the film mirrors some of the worst aspects of human nature during a societal breakdown and confinement. In the age of the Coronavirus and confinement, Night of the Living Dead suddenly warrants a re-watch. Countless articles have been written about each film, especially the racial undertones of the first film. Romero’s classic zombie trilogy, Night of the Living Dead (1968 ), Dawn of the Dead (1978), and Day of the Dead (1985), is the ultimate example of the zombie as a social metaphor.
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